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While Hugo's 1080p Blu-ray 3D transfer is generally brilliant, it falls well short of perfection. It should be noted that the film's is marvelous. All of those same qualities are carried over to this 3D transfer. Fine detail remains absolutely astonishing, with this 3D transfer capturing and subsequently allowing the viewer to absorb with much wonder the amazing textures on clothes, the precision detailing on faces, the scuffed metal body of the automaton, and all of the fabulous little intricacies of gears, walls, floors, and all of the objects around the train station. Likewise, the 3D transfer retains the same quality color palette that's somewhat naturally subbed in favor of shades of bronze and gray while brighter splashes of color are presented with a natural precision. Blacks never wash out, flesh tones never fluctuate, and digital or compression anomalies are absent, save for a trace of banding.
Certainly, these elements which appear in both presentations remain constant, which is often the first key to a Blu-ray 3D transfer's ultimate success or failure. With that in mind, an examination of the 3D elements reveal incredible plusses and a single but constant and hugely problematic minus. To be sure, there are many things to love about this Blu-ray 3D presentation.
Film's open sees snowflakes appear to drift out from the screen. Every scene where anything shatters or floats about proves special, with the screen all but disappearing in favor of the effect. Even the light emanating from a movie projector seen head-on seems to spill straight out of the 3D display. Depth is natural and a great asset to the presentation; the opening long shot down the platform is wondrously realistic in scope and size.
The inner world of the station, too, springs to life with gears and other objects occupying real space and made of a tangible volume, no matter how large or small they may be, how open or cramped their environment. The transfer displays the automaton with much care; the frame which serves as an outer shell is always nicely contrasted with the gears and other objects within, giving it a very tangible, realistic shape and size. For all its goodness - and the 3D visuals consistently help better shape and define the movie - this transfer stumbles throughout. Crosstalk is not only present, but severe. It's constant and distracting, heavy and disappointing. It greatly interferes with the film and, for all the good the remainder of the 3D visuals do, at this time the standard 2D version proves to be the best option for pure visual perfection.
Hugo's DTS-HD MA 7.1 lossless soundtrack is up to the challenge of matching the video quality throughout. Indeed, Paramount's soundtrack makes full use of the entire stage - the extra two surround channels included - to create a seamless sound field that creates with great clarity and attention to detail the Paris train station, the mechanical objects, and other niceties scattered throughout the picture.
Listeners will receive a quick sample of the track's prowess in the opening moments; a train maneuvers its way into the soundstage, followed by the precise clicking and grinding of working gears that float about the entire area. The track excels with similar ambient effects; its ability to paint such a remarkably vivid sonic picture of the station knows no limits. Each scene is an experience of precise sound engineering where footfalls, chatter, and the general din of the busy area are such that the listener is transported into the middle of the movie. Few tracks feature as many precisely-placed effects as Hugo; most may not be of the loud or excessive variety, but the track is always scene-specific and recreates with the utmost care and attention to detail every last little element. Heavier effects - a large crash sequence in chapter thirteen - are equally precise even with the added energy and chaos.
Music delivery is perfectly spaced and immersive, playing with superb clarity as each note floats effortlessly into the listening area. Dialogue is steady and accurate as it plays from the center channel, with a few playful moments of expert reverberation capturing the size and scope of the station. This is a wonderful track that's every bit as good as the accompanying video. Hugo is a special movie that's a tribute to the medium and perhaps the greatest accomplishment of one of the most accomplished filmmakers to ever step behind a camera. Martin Scorsese's Hugo mesmerizes from beginning to end with its scope, authenticity, completeness, warmth, sincerity, and attention to detail.
The movie has been faultlessly crafted, seamlessly realized, and amazingly acted. The story never disappoints, the themes are true, and the picture's heart is constant. It's the embodiment of pure, wondrous cinema, cinema as it was and should be, a true labor of love that's not to be missed and made to be experienced. Here's hoping Hugo is awarded the Best Picture Oscar; after all, how could a movie about the beauty of movies, a picture that so lovingly celebrates the medium, be denied? Simple c program. Paramount's Blu-ray 3D release of Hugo features a strong 3D transfer that's marred by constant and excessive crosstalk.
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Otherwise, this set treats audiences to the same fantastic 7.1 lossless soundtrack found on the standalone 2D-only release, as well as the same grouping of extras. Buyers with a few extra dollars to spare may as well pick this one up; Hugo is worth watching in 3D, even with the crosstalk issue, but chances are many will turn to the 2D version for future engagements.